


“As a colorist, I really appreciate LUT packs that don’t try to force every shot into the same aesthetic. Every LUT reminds me, in its own way, of classic film print LUTs — and I mean that as a genuine compliment. Every LUT responds differently depending on the footage — experimenting is part of the fun, and often leads to pleasantly surprising results.”
“Simone delivered a refreshingly straightforward LUT pack — instead of overwhelming you with dozens of nearly identical variations, each look is genuinely different from the others and fast to work with.”
I grade commercials, films and music videos for a living — the Bentley Bentayga Speed spot is one of mine.
These 11 looks come from the grades I keep going back to: the palettes I reach for when a scene needs a mood. I packed them so you get that starting point in one click, instead of building it node by node — even if you’ve never touched color grading before.